American Dissident Voices broadcast of January 30, 2016, by Kevin Alfred Strom
„YOU HAVE lost your reason and taken the wrong path. You have taken lies for truth, and hideousness for beauty…. I don’t want to understand you.” So said the Russian playwright Anton Chekhov (pictured) more than a century ago. His statement applies even more to our age than his.
The inhuman concrete and glass rectangles that pass for architecture today are hideous, uglier than rat-mazes. They do to the spirit of European man what a ten-foot cage does to a timber wolf. There was a time when our best homes and public buildings expressed something about our souls. Though in dollar terms we were much poorer then, time and effort were spent and infinite care was taken so that our culture and our spirit shone through in every stone, every cornice, every column, every window. There was a time when beauty lived.
Frank Harris said „Admiration of beauty is the highest impulse in our humanity.“
What have we done with this highest impulse today? Today we take the beauty of the human body, what ought to be the greatest and holiest thing to us, and use and abuse it to create distorted, degrading images on a thousand million pages of the crudest, most disgusting, and hideous pornography, even interracial pornography, ruining countless lives in the process.
„Admiration of beauty is the highest impulse in our humanity.” What do we now teach our young people to admire? We give awards — one, ironically and perhaps not coincidentally, even called the “National Vanguard” award, stealing our honorable name for a dishonorable purpose — to a homosexual female to reward her for her perversion and her spreading of that perversion to others. We shower honors upon a man who cut off his genitals and dresses his scarred and mutilated body in women’s clothes and falsely declares that he is a woman. This is not admiration of beauty. This is not the highest impulse in our humanity. This is a diseased, Jew-induced worship of all that is sick, deformed, twisted, and hideous.
Thoreau thought that beauty was perceived by the higher and more morally evolved type of human being, and not by the lower, saying: “The perception of beauty is a moral test.“
Nietzsche told us that “The voice of beauty speaks softly; it creeps only into the most fully awakened souls.“
The great mathematician Henri Poincaré saw a direct link between the perception of beauty and the pursuit of scientific truth. He said: “The scientist does not study Nature because it is useful; he studies it because he delights in it, and he delights in it because it is beautiful. If Nature were not beautiful, it would not be worth knowing, and if Nature were not worth knowing, life would not be worth living.“
The inventor and futurist Buckminster Fuller, like Poincaré, saw beauty in the inherent structure of the universe that was revealed in solving science and engineering problems. He told us: “[I]f the solution is not beautiful, I know it is wrong.“
Emerson perceived that the ideals of beauty are within us, saying: “Though we travel the world over to find the beautiful, we must carry it with us, or we find it not.“
Nowhere is the war on beauty more evident than in the field of art.